Showing posts with label Janice Rand. Show all posts
Showing posts with label Janice Rand. Show all posts

Monday, September 6, 2010

#12 (1-8): Miri

Miri (Kim Darby) and Kirk.
Teenage Miri (Kim Darby) has a crush on Kirk.

Original Airdate: Oct. 27, 1966. Written by: Adrian Spies. Directed by: Vincent McEveety.

A sweet little domestic episode. Janice gets Kirk to look at her legs.  Later, she experiments with bondage, but Kirk turns out to be more interested in practicing a speech for school. Meanwhile, Spock and McCoy play with a new chemistry set.


THE PLOT

The Enterprise discovers a planet that is eerily like Earth. Kirk, Spock, McCoy, and Janice beam down to the surface, only to find that all the adults on the planet have died of a horrible degenerative disease. They are befriended by a teen girl, Miri (Kim Darby), who fills in some background: the adults ("grups") become ill, then they became violent. After they died, the children ("Onlies") were left to take care of themselves.

It isn't long before the members of the landing party discover that they have become infected. McCoy discovers that the disease was an unexpected side effect of a grab at immortality, and he uses the original research to try to find a cure. But when the other "Onlies" decide to play a "foolie" on them by stealing their communicators, cutting off contact with the Enterprise, they are left with only the resources they have on-hand to try to save themselves.


CHARACTERS

Capt. Ham: "NO! NO... BLAH-BLAH-BLAH!!!" In absolute fairness to William Shatner, lines such as this and his impassioned speech to the "Onlies" pretty much demand a hammy delivery, and he still brings conviction to it. But this is the first significant time in the series (not counting doppelgangers) in which he really starts to let go of his inner bacon. "LOOK AT MY ARMS! That's... what's going to happen to YOU!"

Dr. McCoy: Well, I suppose if one needs an explanation for how McCoy lived long enough to be in Encounter at Farpoint, then it rests with this episode: He and the entire landing party were exposed to the disease, one of whose aspects is a significantly prolonged lifespan. Since there's no dialogue indicating that this goes away when the disease is cured, one could reasonably wonder if this means that Kirk, Spock, McCoy, Janice, and the two more-or-less anonymous redshirts will live a long time, barring scaffolding accidents. McCoy finds the cure with remarkable speed and efficiency, which strains credibility but does allow some welcome focus on him as a character. We also see his courage, as he determines to test the cure - which will either save or kill - on himself.

Janice: More of her attraction to Kirk, as she confesses that she has always tried to get him to "look at (her) legs." Until they became all splotchy with the disease, that is. When Miri becomes jealous of her, she uses her compassion for the children to lure her into a trap. Kirk finds her tied up in what used to be a classroom before indulging in his interest in amateur oratory.

Alien Space Crush of the Week: The far-from-teenage Kim Darby does a reasonably effective job as Miri. It's obvious that she's older than the age she's playing, but wardrobe, hair, and the actress pitching her vocal pitch upward all combine to at least suggest the character's young age. Her attraction to Kirk reads convincingly as a teen crush, with hero worship and a desperation to please replaced by fierce, dangerous jealousy when she determines that Janice is a (more realistic) rival for Kirk's affections.

Villain of the Week: Poor Miri - No wonder she has such a strong crush on Kirk, given that her only realistic choice of a mate is the hobgoblin-like Jahn, who's more interested in playing soldier and bonk-bonking people on the head. Michael J. Pollard brings a creepy presence to the leader of the "Onlies," and there is a vague sinister cast when he and the other children start chanting things such as, "Lovey-dovey, lovey-dovey!" at a tied-up and terrified Janice. That said, it's downright painfully obvious that Michael J. Pollard is too old for his role.


THOUGHTS

Erm... What can one really say about an episode that has its hero declare, "No blah-blah-blah!" with no trace of irony? Miri isn't actually bad, but it's one of the weaker episodes the series has offered thus far.

The scenario feels poorly thought-through. Dr. McCoy's miraculous speed-discovery of a cure can be accepted as a plot necessity. But his ingested cure doesn't banish the life-prolonging disease, it simply makes it work the way it apparently was intended to. Given that the disease is obviously airborne, this could be taken as making our three leads effectively immortal, which I am certain was not the intent. I guess one can argue that they only received limited exposure.

Also, once Kirk's logs are read back at Starfleet, won't someone note that the Enterprise has effectively discovered the fountain of youth? Armed with McCoy's cure, I would think tons of ships would be descending on that planet to breathe in its chemical-tainted atmosphere and the centuries-long lifespans that will go with it. But apparently, we're to believe that Starfleet and the Federation are above such things.

Finally, at the resolution, Kirk leaves a bunch of children to continue fending for themselves, aging at such a slow rate that it will be centuries before even the oldest - Miri and Jann - are mentally adults. Yes, to address comments made for an earlier version of this review, we are told that teachers and advisors will be coming. But Kirk doesn't wait for them to arrive, warping out while leaving only a small medical team behind. I suppose after enduring "blah-blah-blah," "lovey-dovey," and "bonk-bonk on the head," he just couldn't wait to get out of there. In fairness, I can't entirely blame him for that.

There are good things in the episode, and it's quite watchable. Some of the desperation as Kirk, Spock, and McCoy hunt for a cure is well-played, and the actors do a good job of becoming increasingly irritable and irrational as the disease takes hold. DeForest Kelly is particularly good here. Credit also to the makeup department: the "disease" makeup does a good job of suggesting a horrible, degenerative illness without blotching the actors to such an extent that their physical performances are impeded.

But then the episode shifts focus to the "Onlies," ending in a schoolhouse, where Kirk and Janice are menaced by children who want to "bonk-bonk on the head - Bonk, bonk, bonk!" At this point, anything that had been gripping drops away, replaced by MST3K fodder.


Rating: 5/10.

Previous Episode: Dagger of the Mind
Next Episode: The Conscience of the King

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Sunday, August 22, 2010

#8 (1-2): Charlie X

Charlie Evans (Robert Walker, Jr.) has an unrequited crush on Janice Rand - and the power to make that dangerous!
Charlie Evans (Robert Walker, Jr.) has an unrequited crush
on Janice Rand - and the power to make that dangerous!

Original Air Date: Sept. 15, 1966. Teleplay by: D. C. Fontana. Story by: Gene Roddenberry. Directed by: Lawrence Dobkin.


THE PLOT

The Enterprise completes a rendezvous with the Antares, a survey ship that found a single survivor of a starship crash on an otherwise uninhabited planet. Prior to being found by the Antares, Charlie Evans (Robert Walker, Jr.) never even saw another human being. Kirk develops a fast liking for the boy, and he decides to take him under his wing to provide a sort of "father figure" for young Charlie.

The adolescent Charlie develops a hopeless crush on the first woman he has ever seen: Yeoman Janice Rand. Normally, this is the sort of thing that could be solved by introducing him to a girl his own age, as Janice tries to do - or when that fails, by Kirk having a simple talk with the boy. But as gradually becomes clear, Charlie is anything but normal...

Charlie has powers that allow him to lash out in a way that would be horrifying in any adolescent. When Spock defeats him at chess while teaching him the game, Charlie melts the chess set with his mind. When a crewman laughs at him, Charlie makes him disappear. And when the survey ship attempts to warn the Enterprise about Charlie, he makes them disappear as well... permanently!


CHARACTERS

Capt. Beefcake: Apparently, sweat suits do not exist in the future, as Kirk goes shirtless in the gym while teaching Charlie a few basic throws. Some of the crew in the gym wear red robes, but that would never do for Kirk. "Kirk the Gambler" also makes an appearance during the climax when he tests - and finds - the limits of Charlie's abilities. This leads to an effective confrontation between an omnipotent teen who nevertheless has a teen's lack of wisdom and experience, and a comparatively powerless adult who nevertheless retains a sharp mind and a strong will.

Shatner continues to mostly impress in an episode that showcases Kirk's compassionate side. He takes it on himself to act as father figure to Charlie, explaining the blunt reality that there are many things in life that he can have and some things he can't, and that Janice is one of the things he can't have. He follows up that bluntness with kindness, and he builds a reasonable friendship with Charlie - which comes in useful when Charlie's powers begin to manifest. 

Janice Rand: At this point in the series, Janice is more of a core member of the cast than many of the characters who would become regulars. Janice is initially compassionate to Charlie. After recognizing his crush, she tries to deflect his attentions onto an attractive girl closer to his own age. When that fails, she goes to Kirk to get his help. She notes that she's seen "that look" before, and that she doesn't want to "hurt" Charlie, but she will hurt him if she has to. 

Villain of the Week: Charlie. Like the short story and Twilight Zone episode, It's a Good Life, this episode recognizes that children and teens are not inherently good, and that there's little more horrifying than a child/teen with godlike powers. Charlie has a strong desire to be liked, and he wants to do well in things he attempts - like almost any teen boy. Also like almost any teen, he is easily frustrated when he senses he isn't liked or when he does poorly at something. Think back on when you were a teenager. If you had the power, would you make someone "go away" if they laughed at you or were (by your perception) mean to you? Though obviously older than the character he's playing, Robert Walker Jr. does a good job of conveying Charlie's adolescent eagerness, confusion, and frustration. Even when he becomes a clear villain, Walker still doesn't play him as "evil," and he's all the more effective for that.


THOUGHTS

While not a favorite episode of mine, Charlie X is another intelligently scripted and well-acted early episode. The performances range from good to excellent. The story is also well structured. This was the first of several scripts by writer D. C. Fontana, and her strengths are already apparent. She finds moments for several members of the ensemble, with good scenes not only for Kirk and Janice, but also for Spock, McCoy, and Uhura. She also builds the situation effectively. The first Act, which could easily have been just a collection of incidents, works because Fontana maintains focus on Charlie's reactions, which are initially relatable... until the things he does grow more serious, in direct proportion with his frustrations.

Attempts to deal with Charlie are complicated not only by his powers, but also by the fact that he really has never interacted with other humans before. Janice's attempt to deflect Charlie's affections onto another girl might have worked - except that she isn't just a crush; she's the first woman Charlie has ever seen! In a very real sense, he's imprinted himself on her. What he does to that girl later in the episode is a bit horrific, even if it (and everything else he's done aboard the Enterprise) gets conveniently undone at the episode's finish.

This isn't an episode I'd tend to reach for if I were just in the mood to watch a TOS episode. That said, it is a good episode. It will never be a favorite of mine, but it holds up better than I had recalled, and it's easy to see why D. C. Fontana became one of the series' go-to writers.


Rating: 7/10

Previous Episode: The Naked Time
Next Episode: Balance of Terror

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Tuesday, August 10, 2010

#5 (1-5): The Enemy Within

A transporter accident creates a second Kirk - only this one is feral and vicious!
A transporter accident creates a second Kirk
 - only this one is feral and vicious!

Original Air Date: Oct. 6, 1966. Written by: Richard Matheson. Directed by: Leo Penn.


THE PLOT

The first-ever transporter accident! Kirk beams up from a planet where the crew is doing a geological survey. Unfortunately, a previous beam-up has contaminated the transporter, overloading some key circuitry. The result? Two Kirks - one "good," but weak and ineffectual; the other, strong and decisive, but pure animal.

It takes a while for this to be discovered (when "Bad Kirk" shows up, the transporter room is conveniently empty). Once Spock and McCoy have finally put the pieces together, they realize why "Good Kirk" is acting in an increasingly indecisive manner. All his leadership qualities stem from his other side. Now they must find a way to put the captain together again, or else Kirk will have to relinquish his command.

And just to add a bit more urgency, there's the small matter of the landing party, marooned on the planet, with the surface temperature dropping precipitously. If they can't fix the transporter issue and put Kirk back together again - and soon - then the landing party will die!


CHARACTERS

Capt. Kirk:
This episode provides a fairly strong study of Kirk by splitting his character traits in two. His intellectual side provides reasoning, empathy, and courage. I find it both interesting and convincing that the "weak" intellectual side is actually the braver one. Instincts call for self-preservation; it takes mental discipline to act against that urge. Meanwhile, his animal side is pure self-interest: unrestrained id, sexual and violent, sometimes at the same time. Nevertheless, this side is the one capable of the snap decisions necessary for command. It is also this side that gives Kirk the rough charm that's key to his appeal to women - though it's his intellectual side pulling back that keeps him from going too far (as with Janice in this episode).

Spock: Quickly puts the pieces together, which stops this from being an "evil twin" episode in which "Good Kirk" has to constantly prove that he's not responsible for his "twin's" actions. Spock observes that being split in two isn't a new concept for him, given his mixed heritage. He is very loyal to the captain, backing him up throughout and doing his best to make sure that "Good Kirk's" indecisiveness doesn't show to the rest of the crew. His observation about why the captain must appear infallible rings true, and it provides another example of how early Trek tries to portray a halfway believable military atmosphere (see also, and even more particularly, The Corbomite Maneuver).

Janice Rand: Her loyalty to Kirk shows in her reluctance to report "Animal Kirk's" assault on her. Various bits also show her wrestling with her normal attraction to Kirk vs. her shock at this crueler Kirk's assault. This subplot is unusually strong for '60's television, showing how sexual harassment can be very hard on women. Note how Janice is conflicted, even apologetic when reporting Kirk's behavior.


THOUGHTS

A Richard Matheson script is generally good news for any series, and it proves to be good news for Trek. Matheson writes strong dialogue and good character beats for all of the featured regulars. Shatner gets the best material, but there are good bits to go around: Spock and his mixed heritage, McCoy, and even previously underwritten characters such as Janice, Scotty, Uhura, and Sulu get good bits. Did anyone at the time realize what a terrific writer this man was? The Twilight Zone... Trek... Kolchak: The Night Stalker. Matheson was regularly terrific with concept, with structure, and with characterization. A writer who's strong with any two of these is good - a writer strong with all three is remarkable!

The episode's obvious weakness comes from positing the transporter as the sole means by which the landing party can get back to the ship. This is necessary to provide a crisis, but it seems iffy. Even allowing that shuttlecraft hadn't yet been introduced to the series, Even the most reliable technology will sometimes break down. I just can't make myself believe that there would be no back-up for so foreseeable a problem. 

Looking past that issue, however, the rest of the episode flows smoothly. The direction makes strong use of the opportunities in the script, particularly in the scene in which "Animal Kirk" tries to take command of the bridge. The shots of this out-of-control Kirk practically devolving before our eyes are imaginatively framed, and heighten a sense of intensity.

A very strong episode overall. I still prefer The Corbomite Manuever, but I would probably rank this a reasonably close second out of the episodes I've reviewed to date.


Rating: 8/10

Previous Episode: Mudd's Women
Next Episode: The Man Trap

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